St Columba's Open Doors Weekend Exhibition

If you can, come join me at St Columba’s this coming weekend. We’re coinciding with Oxford Open Doors weekend and will be open Saturday, 10 to 4 and Sunday 12 to 4. I’ll be there both days from 12. You are of course welcome to join St Columba’s for worship at 10:45 on the Sunday where I’ll be preaching.

If you do come - beware of Oxford parking! The Park and Ride is highly recommended, as the centre can be, well, the centre of Oxford :-) Alfred Street is bang in the centre, just off the High.

https://www.saintcolumbas.org/

Alfred Street

Oxford

OX1 4EH

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Prepping for my exhibition

It’s been a while, but my life is like that at the moment. This wall is full of pieces to go to exhibition, works in progress and a commission almost done. When I prep for exhibitions, I unpack all the works, check them over, see them together and get a sense of the overall feeling. This one will hang at St Columba's URC on Alfred St (just off the High) from September 10th to 12th. It is during the annual Oxford Open Doors weekend. I hope to see you there!

Prayers after trauma

I was recently commissioned to write prayers for a prayer book. I’ll let you know in more detail when I can. I was given the day and readings for three of them and three I could randomly choose. It came to me to write this one:

A prayer for healing after trauma

Lord of all time, this time is difficult.

My memories rush at me,

or can be buried as my mind manages each day.

I am aware that others have had times like mine, or worse.

But God, it feels as if my experience is utterly unique;

Gracious God, reassure me that this is true, made by you

in rich particularity, no one of us truly like another.

 

I come to you in hope and despair.

I need to feel more capable, more ready to live my days.

I have tried, listened and prayed so hard and practiced hope.

I sit with you now.  You know that it feels like a last resort. 

I’m sorry. I believe you love me and are happy to be my resort.

Hands open and breathing deeply, I receive your presence.

I am aware of my heartbeat and the opening of my lungs,

remembering you gifted body and mind to feel and think.

In this moment, I am attentive.

 

In your love I place my history – events I cannot forget.

Help me to hand the terrible power of life events to you.

Loosen their hold on my present and liberate my future. 

Fill me with love to forgive whatever I think I did badly.

Fill me with hope that I may forgive others where I can.

God of all time, heal me of all that harms me

in the whole of my body, my memory and my heart.

I end this prayer in grateful hope.

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Art Residency starts tomorrow

Tomorrow is the start of a two day conference of the Council for World Mission Caribbean members forum and I’ll be attending from the UK as artist. I so look forward to it! Amongst all my work, this is my most favourite.. CWM’s focus is about Life Flourishing Communities - what does it take for any community to turn into something in which life isn’t just existing, but flourishing? It’s an excellent question and I look forward to thoughts from colleagues a world away from my own.

Usually for a residency gig, I rock up with a wheeled case including my drawing board, a range of paper or scrolls and a large selection of pens and watercolour pencils. For the United Reformed Church General Assembly in 2012, I turned up with three large canvasses and my whole selection of paints and brushes! This will be different. I’ll be sitting in my studio watching and listening with Zoom. Rather than using my physical art supplies, I’ll be using the amazing program designed for the Microsoft Surface, my absolute device of choice. For illustrations, I use Adobe Illustrator, but for as physical experience as I can get for a digital device, I use Sketchable. With it, I have all my pencils, pens of many descriptions, paint, brushes and the ability to blend across tools as I have always done when I use a pen to make my watercolour pencils into soft paint.

I’ll do what I always do - listen, draw, perhaps add a few words, draw some more. At the end of each day, I’ll share the digital image by sharing my screen, and I’ll explain my reflections on what I hear. It will be interesting and wonderful to hear from a culture which is not my own and to reflect back what I believe I hear in a way which is, hopefully, cross cultural. I’ll keep you up do date with what happens!

I’ve uploaded a tea pot picture from a residency during a rural ministry conference a number of years ago. Conversation showed that often, the biggest thing rural churches can offer is peaceful hospitality. My mind came up with this!

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Red

This is Red. She was painted in 2019, in a rush of having seen her face emerge from the shadows of the canvas I’d be ‘scribbling’ on for ages. My photographer husband, Pete, and I had a great photoshoot last weekend, capturing Red and her companion, Unafraid. I’ll tell you about her in a bit because she’s going to be in my next book coming out in the summer. In the meantime, here’s Red, a mirror view of her artist which is why her earrings are in the ‘wrong ear’ if you’re used to seeing me. It makes me wonder about artist self portraits through the years and whether we’re all looking at mirror images!

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Here's the new book!!!!

Here it is! Off the press and available from today!!! Quite a milestone and one I never knew would be on my own ToDo list. I’m delighted. What else to say? It’s the only book addressing what it is like to do project management in the social benefit sector ( charities, social enterprises, constituted organisations, good causes). It focusses on positive changes made via heart-ful processes - so on the changes we want to make via processes which empower, not stifle. According to Helen, my Foreword writer, it is an “essential addition to any modern organisation,” “so that as many organisations and individuals are empowered to create the greatest impact they can for their beneficiaries.”

I wrote this for all the reasons Helen says and more.  I heard story after story from delegates to my DSC Practical Project Management course that people were appointed to management roles for their passion for the work of their charity.  They weren’t promoted or hired for their project skills and had to bring a variety of experience and will-power to help them turn their knowledge about their beneficiaries into practical processes to run projects to help them.  Delegates felt frustrated, unprepared, and frankly, not helped by the usual corporate project management processes and training.  A book needed to be situated firmly in this world of difference we inhabit.  So I agreed to do it.  Here it is, steeped in our need to make a positive difference and to use some finely honed tools to help.  You can order here: Directory of Social Change - Practical Project Management for voluntary organisations (dsc.org.uk)

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Lent and Pandemic

Happy blog post title, hm?  Yes and no.  Many of us recoil even from the word pandemic, rightly wanting to mark these odd times simply living as if this strange reality hasn’t touched us yet, or isn’t going to anymore.  This is as good a coping strategy as many and as long as we don’t move to the ‘hoax’ version of truth, we can keep going kindly to us and others and we’ll all see each other eventually.  For others, we recoil from the word Lent, having as it does, layers and layers of meaning, ritual and rigidity depending on how we’ve encountered it. 

As ever, I seek to re-frame; to find the positive reality in the midst of the encompassing reality we’re experiencing.  The pandemic is.  It is simply a reality.  It has been horrible for many, exhausting for even more, tragic for more than that and life changing for all of us.  I’ll seldom teach my project management in a classroom again.  Not that there will be no more classrooms, but because the course is so much better when people who’ve never met before are in their own comfort zones, are with their own technology, have access to their real work files and are not frustrated in finding an unknown venue on top of travelling to it. There have been so many positive developments in relationships and communities of friendship, worship and learning, that I have no yearning to move ahead in time to what used to be. 

Lent, to me, is an annual reminder in the cycle of my memory work with God.  Each year, I cycle from Advent to Pentecost stopping in Lent to remember.  It is that particular season when I revisit the political upheaval caused by a revolutionary prophet, come to name the painful truth inside societies and religions then and now.  Some society and religious people are proud of themselves, believing their own myths of wealth and equity, while so many in their midst know poverty as a life-long sentence.  Lent is reminder time and I live it by laying down the things which worry me and I can’t change – a bit like the strategy to avoid the word pandemic.  But as I put down what I can’t change, I pick up the calls to justice I see everywhere.  If I stop giving power to my worry, I can re-energise my hope and my activity towards that for others.

Here’s a prayer I wrote for the pandemic, available on the United Reformed Church website:

Dear and glorious God, we cry to you.

At the moment, love seems both deeply hidden and alive like never before.

Selfishness is alarmingly exposed, numbing us to the fear which feeds it.

Selflessness is gloriously and exhaustingly alive, restoring our faith in you and in humanity.

In this Lenten time, stir in us, waking your love, enriching us with grace to be gracious.

Comfort us to know that our small steps made well are your active, powerful love.

Amen.

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Please contact me if you would like prints. The following formats are available. All prints on paper are sold on ivory mounting board. Frames may be ordered. Prints on canvas are stretched on wood.

Art Prints: Art Prints are created with laser printers onto quality wood pulp art paper.

Gallery Poster: Gallery Poster is a typical art gallery format with laser printer on poster paper, supplied rolled in a tube.

Giclee Prints: Giclee Prints are inkjet sprayed onto quality cotton rag paper. They’re known for their vibrant colours, fine details, and archival quality. The term "giclee" comes from the French word meaning "to spray," referring to the precise inkjet spraying process used in their production. They’re guaranteed to last at least 100 years (though no one’s been alive long enough since development to know…)

Embellished Giclee Prints: Embellished Giclee Prints are customised by me adding details, textures, or hand-drawn elements to make each cotton paper print unique. The result is a print that combines the advantages of digital printing with a personal touch.

Giclee Prints on Canvas: Giclee Prints are inkjet sprayed onto artist canvas material. This gives the print a texture and appearance similar to a traditional painting on canvas so that they resemble original paintings.

Embellished Giclee Prints on Canvas: Embellished Giclee Prints on Canvas are customised by me adding details, textures, or hand-painted elements to make each print unique. Embellishments added on top of canvas give the print a more three-dimensional painterly effect.