So how did all the tours start?! was the question...

…which many of you have asked. So it’s time to tell you.

Way back in the late Autumn of 2022, I was talking with a wonderful woman from a gallery in Rugby as I was preparing to move from 1/3 time artist to full time artist. She liked my work enormously and wanted to sell it. But the more she had it and looked at her client list, she realised that my work needed a more specialist home, saying to me, “you really need a spiritual gallery.” I thought, great, thanks, what’s one of those when it’s at home? Then I realised I’d been exhibiting and selling from spiritual galleries most of my adult life whilst being an artist theologian. They’re called Churches. My early artist days, I’d drawn pastel portraits in shopping centres, took commissions and sold from galleries and street and group exhibits. But once I entered the ministry, those commercial outlets didn’t serve the work I was creating and I started to exhibit in churches and to sell my work to theological publishers. The gallery owner was right. Churches.

Gallery size? Cathedrals. Then I thought, I really want to do this with someone. I want the 40% commission I would have given to a gallery to go to a cause about which I have a passion. Then I recalled a wonderful aphorism - ‘you already know who you need to know for your life to grow.’ I looked at who I knew and the Open Table Network kept grabbing my attention. So I contacted dear Kieran. He and I had worked together on the Appreciating Church Project with his case study of St Bride’s Liverpool being published in the book I illustrated. I suggested that we raise money for OTN by having a partnership to place my artwork around Cathedrals and large churches in the UK where there is either an Open Table community in existence or there is a desire for one. He took the idea to the OTN Trustees who liked the idea. Then we started to look for Cathedrals.

My closest cathedral was Coventry, and possibly also my most favourite on the planet, so I visited and found out who to contact. I emailed. One email. The reply was instant - yes, please, and can it be February 2024 for LGBTQ+ history month? I replied, well, yes. Kieran and I were flabbergasted and Coventry opened the doors to all the other Cathedrals and Churches we asked. A few said no, because their congregations or communities "weren’t ready”, but the response was overwhelming. The Open to All tour was planned.

The Open to All tour was so welcomed that we were asked to go to more places than we had time for. So I pulled together another set of artwork which I called the Spirit Justice tour and four more venues were added to the list of eleven we had engaged for Open to All. Along the way, we received a grant from the Westhill Endowment to fund some of the traveling and accommodation expenses and many individual churches have helped with expenses.

At the end of the road, all the easels from Open to All now live at United Church Winchester because they decided that connecting with their community through art was a good way forward for them. We raised nearly £4000 in total for a combination of the Open Table Network and anti racist charities. The signature artworks from Open to All and Spirit Justice now live in permanent public venues where their messages will continue in perpetuity. We have been amazed.

Please contact me if you would like prints. The following formats are available. All prints on paper are sold on ivory mounting board. Frames may be ordered. Prints on canvas are stretched on wood.

Art Prints: Art Prints are created with laser printers onto quality wood pulp art paper.

Gallery Poster: Gallery Poster is a typical art gallery format with laser printer on poster paper, supplied rolled in a tube.

Giclee Prints: Giclee Prints are inkjet sprayed onto quality cotton rag paper. They’re known for their vibrant colours, fine details, and archival quality. The term "giclee" comes from the French word meaning "to spray," referring to the precise inkjet spraying process used in their production. They’re guaranteed to last at least 100 years (though no one’s been alive long enough since development to know…)

Embellished Giclee Prints: Embellished Giclee Prints are customised by me adding details, textures, or hand-drawn elements to make each cotton paper print unique. The result is a print that combines the advantages of digital printing with a personal touch.

Giclee Prints on Canvas: Giclee Prints are inkjet sprayed onto artist canvas material. This gives the print a texture and appearance similar to a traditional painting on canvas so that they resemble original paintings.

Embellished Giclee Prints on Canvas: Embellished Giclee Prints on Canvas are customised by me adding details, textures, or hand-painted elements to make each print unique. Embellishments added on top of canvas give the print a more three-dimensional painterly effect.