No they don't...

Now for some random thoughts. I had a deep conversation with someone this week, where they were looking for hope in their current life by reaching for the “Things happen for a reason” rationale. This is the “this must be good for me, it will all make sense in the long run” rationale. “God has this in His [sic] plan” is often the unspoken root phrase, coming to us from multiple sources over generations/eons. I gently lead you to the title of this blog. No they don’t. Things don’t happen for a reason, they simply happen.

 

We can see that sometimes there is a line of agency, like a domino set up where if one pushes, the others fall in perfect time. I’ve seen amazing live sculptures of coloured domino-like blocks and it is incredible to watch. The reason they work is that each block is the same shape in a carefully placed relationship to the other blocks, the same room and conditions, and more. That’s not life. Our lives are not neatly shaped blocks in a carefully designed context, 99% the same as the life next to us. Not only did God not design us that way, God has no time for such seamless conformity in our world. Justice and love demand moment by moment interpretation and a behaviour right now which might be different than yesterday and might not be the same as tomorrow.

 

We can, when we look back, see that the consequence of a Thing Happening was that we learned something momentous. We can see that we changed to be more hopeful or more confident or more aware from that Thing. That’s fabulous. But the Thing wasn’t designed for us for that particular learning. It simply happened. We could have been the agent or the victim in the situation. A Thing caused an action, a response happened, a difficult thought happened, hard words were said, laughter had. Whatever. God’s plan is not a day to day agenda which we are simply actors on God’s strings. We’re created for wisdom and love and analysis and relationship. We’re made to look deeply at or into the Thing, to see what is happening and to use our gut to decide what to do – this time.  We may have experience to bear on it and help us to move in it and celebrate the learning.

 

Mostly, the Things which happen to us are beyond our control.  Some other person decided something rational or not, some institution has become unworkable, some situation blew out of all proportion and gathered us in.  Knowing this, we can refine how we respond to the Thing by focussing on only that which we can do. I’ve written about not feeling in control before.  

But what about tomorrow? Can we hope? Will life ever be simple? No, life will never be simple. That’s just how it is. We humans are complex, the life around us is not simple, the systems around us are not neat. We can hope that everything will be kind and more loving and we can behave as if it already is.  We can chose to see Things as simply things, not things brought to teach us some divine lesson. They happen. Our reaction to them is where we gain our lives and our hope and our courage.

 

Things don’t happen for a reason. They happen. We respond in hope and courage.

 The picture below is a sermon preparation, with drawings interpreting the scripture readings. My summary was that we are held in love to be as angry or loving as we like. We are not operated like robots; we are held, lovingly, as we are intensely, complexly and randomly human.

"Challenging but wonderfully welcoming"

I’m so delighted with this whole story written by Open Table Network that I’ve decided to share it with you to say their own words https://opentable.lgbt/our-news/2024/9/10/challenging-but-wonderfully-welcoming-exhibition-tour-closes-with-gift-to-open-table.

More Exhibitions?

If you had one of my exhibitions and want another, or if you missed out on hosting one of the Open to All or Spirit Justice stops, there is another chance. I have a set of paintings, Octave, owned by the Westhill Endowment. They are part of the Create Talk set of artwork which the Endowment loans, for free, to churches and community centres. I’m rather proud of the Create Talk brand, https://www.westhillendowment.org/faith-exhibits, as that is the name of the project I led for the United Reformed Church from the Mission department for three years. Rather than stopping the brand, and more importantly the purpose of linking churches with their communities via the visual arts, the URC gifted the brand to Westhill.

My own exhibition now part of Westhill is found here https://www.westhillendowment.org/octave. Reports of its impact with schools and local organisations shows excellent engagement and conversations. If you want this for your churches, please be in touch with Westhill!

Keep going!!! Says one...

Kieran, Open Table Network Director, and their Trustees and I had no idea that the Open to All tour would be so amazing on so many levels. We just decided to do it because it seemed to be a good and interesting idea. It felt a bit inspired, but didn’t blow us away. We just cracked on. We made a good enough case for purpose for the Westhill Foundation to help sponsor it and there was enough interest from churches for a good number of them to sponsor with direct expenses.

But it has been so very much more than any of us ever expected. First, it spawned the Spirit Justice tour. I had enquiries about taking Open to All to more churches and by time of receiving those invitations, we were booked. So I pulled together other artwork which I’d had in mind to tour and suggested that. As I write, Spirit Justice and Open to All are in their last venues of both tours. It has been incredible.

Winchester’s Church Secretary summed it up for me, “It has been everything we hoped for. It brought people over the threshold, it introduced us to people in the community we didn’t know, it has raised the profile of God’s and our own inclusion.” The Dean of Coventry remarked that the paintings allowed the Cathedral to illustrate what it has already been saying. The individual conversations I’ve had at each venue have been treasured moments.

We’ve seen a lot of rain, a lot of road and an enormous amount of unfailing hospitality. Help has been ready at hand, warmth has been flowing to take us in and support us. Pete and I have become quite the set up and close down specialists and our red Berlingo Abi has been awesome. Yes, we would do it again. The depth of conversation and faith to make community differences is the fantastic pay-off for us. Let alone the money raised to help support the Open Table Network and anti racist charities. Yes, we would do it again.

Spirit Justice tour in a SHOP!

It has been such fun to have the Spirit Justice tour in Aberdeen. The congregation from the Methodist Church and the United Reformed Church negotiated with the Trinity Centre Aberdeen and secured a corner unit to use for a month. It was a fabulous choice of disused shop with the whole space looking like a gallery in no time. A fabulous opportunity for the churches to show their joint work and mission, almost 200 people stopped by long enough to be counted. The visitors book shows that people came from all over Scotland and beyond. We had a wonderful opening, including attendees from the charity Grampians Racial Equality Council, who will be the recipients of the 40% raised from the sale of prints. The church members said that it was an excellent project to help them connect with their community and they were pleased to do it.

Eons ago, when I was a student in training for the ministry, I was artist in residence for the Milton Keynes Christian Council. We organised an exhibition called Images of God (I might have changed the name in later years), but it was a gathering of almost 700 pieces artwork from all over the new city with two and three dimensional artwork showing people’s ideas of God and of connecting with the Divine. The City Council sponsored it with display stands, David Bellamy opened it, and it was an awesome statement about a new city’s welcome of its people. It’s been a long time from that to this one-artist show and I confess that my heart is so in what just happened in Aberdeen. The comments from visitors showed how much the art spoke to them. The connections made by the churches were invaluable.

AND...breathe

In case you hadn’t spotted, we’ve doing a good deal of travelling. Over a thousand, closer to two thousand some months, of miles each calendar month since September. Also in case you hadn’t been reading my newsletter, most of those miles have been in a little or a deluge of rain. Today the sun is shining and its heaven. We’ve actually been in our own bed since July 9th. Amazing. We knew that running two parallel exhibitions would be time consuming, but we had no idea how much. This afternoon, just before this blog, I managed to finish a whole set of images for some illustrations I’m still in the middle of the commissioned work to do.

I keep reading that rest is important. Intellectually, I know it is true. Spiritually, I know it is true. Physically, my body has been managing my history by being busy. If I’m busy, then I’m not remembering things I don’t want to ever think about again. If I’m busy, I keep myself out of someone’s line of fire. If I’m busy, I keep myself proving that I’m worth it. Well, thanks to some lovely very hard work of Lent this year 2024 after the touring began, I let myself get as enormously angry as I wanted by doing a structured Lament every week day of Lent. I knew that I needed to rest regularly from that, so I let the weekends of Lent offer that rest. Result? I learned to rest. I intellectually, spiritually and physically, put my history to bed. Its power is gone. I can breathe.

So, increasingly since Lent, I’ve been resting, faffing, doing some adminstration and having wonderful catch-ups with friends and family. We have turned journeys to and from exhibitions into mini holidays for ourselves, and adding dinner with people we love, stopping to see unexpected family and even taking in the United Reformed Church General Assembly just for a visit. Thanks to the URC’s generosity, we stopped for Sunday lunch and renewed friendship and colleagueship all over the place.

I offer you rest, dear readers. I can testify to its power and its peace.

Residencies

I thought I’d take a moment, in the midst of two UK wide exhibition tours, to tell you about my residency work. Despite all the painting, despite all the digital illustration, by far my most loved art creation for me is in the stress and joy of the moment of an artist residency. That’s where I get asked to be on site or digitally in the moment, listen to conversations and decisions unfold, and capture what they look like to me. Fundamentally, I illustrate the real time process of coming to a mind about something.

Each residency is a story of progression - my commission, my arrival on site (or online), my preparation to do the work, the images as they developed with a story for each progression point, and the final piece.  Sometimes there are images which go with each process moment and sometimes there aren't, but there is a flow from the commission to completion, all in more or less the same order.

Over the next months, my amazing web wizard will be designing a sets of pages which capture those process moments, then unfold each artwork or set of artworks and their narratives. I’m excited that they will all be online. It’s a wonderful moment for me! Migration Journey was from a residency https://images.squarespace-cdn.com/content/v1/5f76e91b917a8a15a9d7b801/1706782422211-NW476L0VB718QNEZSB9G/Migration-journey.jpg?format=500w as was Peeps Table Talk https://images.squarespace-cdn.com/content/v1/5f76e91b917a8a15a9d7b801/1706782416863-Y9B9OWXHER5KAS9P99NG/SofS-Peeps-table-talk.jpg?format=300w More will come!

Please contact me if you would like prints. The following formats are available. All prints on paper are sold on ivory mounting board. Frames may be ordered. Prints on canvas are stretched on wood.

Art Prints: Art Prints are created with laser printers onto quality wood pulp art paper.

Gallery Poster: Gallery Poster is a typical art gallery format with laser printer on poster paper, supplied rolled in a tube.

Giclee Prints: Giclee Prints are inkjet sprayed onto quality cotton rag paper. They’re known for their vibrant colours, fine details, and archival quality. The term "giclee" comes from the French word meaning "to spray," referring to the precise inkjet spraying process used in their production. They’re guaranteed to last at least 100 years (though no one’s been alive long enough since development to know…)

Embellished Giclee Prints: Embellished Giclee Prints are customised by me adding details, textures, or hand-drawn elements to make each cotton paper print unique. The result is a print that combines the advantages of digital printing with a personal touch.

Giclee Prints on Canvas: Giclee Prints are inkjet sprayed onto artist canvas material. This gives the print a texture and appearance similar to a traditional painting on canvas so that they resemble original paintings.

Embellished Giclee Prints on Canvas: Embellished Giclee Prints on Canvas are customised by me adding details, textures, or hand-painted elements to make each print unique. Embellishments added on top of canvas give the print a more three-dimensional painterly effect.